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UGC

Viral Vertical

Creator footage turned into UGC ads that hook in one second.

Role
UGC ad editing & design
Year
2025
Stack
Premiere Pro · After Effects · Photoshop
Five vertical UGC videos side by side, for five different brands

Context

Viral Vertical produces UGC ads: phone-shot videos by real creators, built for TikTok, Reels and Meta campaigns. Since 2024, I have been working with them as a freelancer on ad editing and design.

What I did

I get raw footage and deliver ads ready to run: a hook that stops the scroll, dynamic captions, benefit banners and a call to action. Every video is cut into several lengths, formats and languages so the brand can test what works.

Outcome

Seven brands, close to 140 final deliverables not counting iterations, in four formats (9:16, 1:1, 4:5, 16:9) and four languages (French, English, Dutch, German).

The process

  1. It all happens in the first second

    Demak'Up makes unbleached cotton pads. Three concepts: “Blackheads, sound familiar?”, a winter routine and a sensitive-skin tip. Each one comes out in four cuts, Hook, Short, Mid and Long (9 to 32 s), with benefit banners and a promo at the end. The versions were refined through feedback, from V1 to V3.

  2. Selling an app in one minute

    Momenzo is an app that creates listing videos for estate agents. The ad is in English: an agent shows the app on her phone, a striking figure opens the video (+403% inquiries on listings with video) and the offer comes at the end. I delivered six variants, each also without text so the team can adapt it again.

  3. Testing at scale

    For the Orbeez blaster, a single shoot: a mother, her son, the toy. I cut 16 edits from it, long (48 s) and short (29 s), each delivered in vertical and square, so 32 files. Fitbee, a compression-sock brand, targets the Netherlands: five different hooks on the same video, in Dutch, plus a German version. Either way, the brand keeps running the variants that convert.

  4. Telling a brand's story

    L'Atelier de Clémentine makes handmade jewellery. No aggressive promo here: a grandmother and her granddaughter tell the workshop's story, then a Christmas version presents the jewellery as gifts. Two concepts, three variants each, in vertical and square.

  5. One visual, every format

    Tena Men, partner of the French rugby team, runs a “Match weekend” offer: 50% off with a promo code. The same message has to work as a 9:16 story, a 4:5 post, a 1:1 square and a 16:9 banner. For each format I recompose: the headline, the number, the product and the partner logo move to stay readable.

    The same Tena Men “Match weekend” France v Australia visual in 9:16, 4:5, 1:1 and 16:9
  6. One match, one code, one face

    Each match gets its own promo code (FRANCEXAUSTRALIE, FRANCEXFIDJI, ALLEZLESBLEUS) and flags. The models rotate from one visual to the next, dressed or in underwear, to test what gets clicks. Over 40 visuals in all for a single operation, versions included.

    Tena Men France v Australia, code FRANCEXAUSTRALIE
    Tena Men France v Fiji, code FRANCEXFIDJI
    Tena Men France v South Africa, code ALLEZLESBLEUS
    Tena Men France v South Africa, another model
  7. A full campaign, built for teens

    For the launch of Nana's teen period underwear, a pink, pop world that speaks to its audience: teen bedrooms, sleepovers, short messages (“Protection all night long”, “0% leaks”). The same world is rolled out as squares, stories and banners.

    Nana: teen period underwear to sleep with peace of mind
    Nana: protection all night long, teen sleepover
    Nana: quick drying, guaranteed comfort
    Nana: new period underwear for teens
  8. Stories, banners and versions

    The 9:16 stories leave room for the face and the slogan, the 1200×628 banners go straight to the product. For the “Try to win a gift every day” giveaway, three versions came before the right one.

    Four vertical Nana stories
    Four Nana banners in 1200×628 format
    Three successive versions of the Nana giveaway visual